Thoughts on “The Zola Story”

I believe the key takeaway from “How Aziah Wells Is Being Erased From The Zola Story” is that a narrative, when shared on social media, can change as a result of it being published there — for instance, it can be appropriated by different groups, resulting in different interpretations and social consequences. In this case, the “Zola Story,” by Aziah Wells, a Black woman, was transformed into a Rolling Stone article, which will serve as the basis for a script and a film produced by a group of white men, with no mention to Wells. Upon finishing this reading, I wonder if there are other stories that I have consumed and that were created through, or as a result of, cultural appropriation (the answer is probably “yes”). I am left reflecting on the forms of entertainment that I enjoy at the expense of silenced voices and whose voices these were in the first place. We like to think that because we live in a globalized world, everyone can equitably use and share their voices on social media, but the Zola Story proves that is not the case — social media can amplify the gap between those with power and those who are pushed away from it. Moving forward, I would like to continue exploring how the interaction between social media and fiction can map onto pre-existing power structures, but also be used to subvert them.

3 Replies to “Thoughts on “The Zola Story””

  1. Great questions. Something to ponder: Wells’s story has clearly been stoled–yet, the movie version (which was directed by a Black woman, Janicza Bravo) also works to amplify Wells’s voice. How do we deal with this paradox?

    1. That’s a fair point, thank you for bringing it to my attention. Although I do not have enough data on Janicza Bravo’s movie, I’d insist that even though social media allows marginalized voices to be amplified, it is also social media that amplifies the gap between well-resourced content creators and less well-resourced ones, as shown by the Rolling Stone article linked below, which shows that “90 Percent of Streams Go to the Top 1 Percent of Artists.” Even though this data pertains to the music industry, I’d infer things aren’t much different in other entertainment and arts industries. What do you think?
      https://www.rollingstone.com/pro/news/top-1-percent-streaming-1055005/

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